Beleaguered but undaunted, she’s the film’s matriarch, a force of such warmth that, even in our fear watching as Tish’s belly grows and her hope wanes, Sharon’s presence reassures us-not that everything will be alright, but that everything will be. As Tish’s mother, Regina King perhaps best understands the wickedness of that hope, playing Sharon as a woman who can’t quite get what she wants, but who seems to intuit that such progress may be further than most in her situation. Do they hope? James and Layne’s performances, so wondrously in sync, suggest they must, one flesh with no other choice. “I hope that nobody has ever had to look at anybody they love through glass,” Tish says. He’s ecstatic we immediately recognize that unique alchemy of terror and joy that accompanies any new parent, but we also know that for a young black couple, the world is bent against their love thriving. In the film’s first scene, we watch Tish visit Fonny in jail to tell him that she’s pregnant. The couple’s story is simple and not: A cop (Ed Skrein) with a petty score to settle against Fonny connives a Puerto Rican woman (Emily Rios) who was raped to pick Fonny out of a lineup, even though his alibi and all evidence suggests otherwise. Do people actually have sex like that? God no, but maybe we wish we did? And sometimes we convince ourselves we have, with the right person, just two bodies alone, against the world, in a space-maybe the only space-of their own.
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As our narrator, Tish speaks in both curt statements and koans, Barry Jenkins’ screenplay translating James Baldwin’s novel as an oneiric bit of voyeurism: When the two finally consummate their relationship after a lifetime (barely two decades) of friendship between them and their families, the mood is divine and revelatory. Time for our characters elliptical, and the love story between Tish (Kiki Layne) and Fonny (Stephan James) the rhythm we’ll return to over and over. If Beale Street Could Talk Year: 2018 Director: Barry Jenkins Stars: Kiki Layne, Stephan James, Regina King, Brian Tyree Henry, Colman Domingo, Michael Beach, Teyonah Pariss, Aunjanue Ellis Rating: R So we’ve let the streaming service define the term here, pulling from movies it classifies as “dramas” and adding a few that clearly should have been there.ġ. How funny can a movie be and still be “serious”? How much tension must be internal or inter-personal-can a dramatic movies still have a bunch of explosions? Drama is a key ingredient in all movies, but when you’re in the mood for a dramatic movie, we think we know what you’re looking for.
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It doesn’t help that drama is the broadest of genres, the most difficult to define: Basically anything that doesn’t fall into comedy, horror, action/adventure or sci-fi gets lumped into the catch-all, and even then there’s more than plenty of overlap. Netflix lists nearly 1,500 movies in the drama category not all of them are exactly worth checking out.